Ouagadougou: Burkinabe luthier Esaie Pakotogo, on Saturday in Ouagadougou, introduced the AGLS guitar, a locally crafted instrument, priced at 85,000 CFA francs. The guitar is presented as a significant step toward enhancing sovereignty in the musical instrument sector.
According to Burkina Information Agency, the AGLS guitar is an acoustic and electro-acoustic instrument featuring a built-in tuner powered by a battery, allowing musicians to tune their instruments without external equipment. Esae Parkouda, the designer, highlighted that the guitar is lighter than traditional models, making it easier to play, particularly during extended performances. It offers considerable comfort, whether used at home or on stage.
The guitar, priced competitively at 85,000 CFA francs, is made to order, requiring approximately two weeks for production. Parkouda shared that his initial attempt took nearly a month, but since early 2026, he has completed three guitars and received numerous orders. This innovation is the culmination of years of research and experimentation, tailored to meet musicians' needs.
Pakotogo expressed his gratitude for the inspiration that led to this creation, emphasizing his commitment to the authorities' call for self-produced goods. His goal is to provide local artists with an affordable, practical, and high-quality instrument, promoting national craftsmanship.
The dedication ceremony received accolades from cultural authorities. Abraham Abassangue, representing the Minister of Culture, commended the initiative for aligning with the national vision of fostering local production and innovation. He noted that this endeavor reflects the Head of State's efforts to strengthen Burkina Faso's economic and cultural sovereignty, describing the event as a tangible response to calls for local production, creation, and innovation.
Abassangue mentioned that the ministry plans to support such initiatives through its training facilities, including the National Institute for Artistic and Cultural Training (INAFAC), prioritizing locally made instruments. The National Centre for Arts, Entertainment and Audiovisual (CENASA) is also considering incentive measures to encourage the use of 'made in Burkina' instruments, such as discounts for artists who adopt them.
Through this pioneering effort, Esae Pakotogo aspires to position Burkina Faso as a creative force in instrument making and inspire similar initiatives across the nation.